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Project Roots: Where It All Began

Through this project, I aimed to use the relationship between material culture and identity as a framework to generate conversations regarding a broad range of AAPI identities and experiences, amplifying voices of the AAPI community.

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Material culture, simply put, the relationship between people and objects, is intrinsic to our ways of life and cultural identities. Despite the inanimate nature of trinkets, this relationship is a two way street. The way in which we interact with physical objects within our spaces and draw upon their origins, uses, sentimental meanings, etc is a reflection of both the tchotchke and ourselves. Sure, some of our physical belongings may have been acquired simply for the sake of accumulation, as often seen within a consumerist society. However, for our possessions with sentimental value or cultural significance, the presence of these objects serves as a reminder or symbol of our identities.

Photograph by Nastya Dulhiier

I was initially inspired by a singular object hanging above the desk in my Oberlin apartment- a tiger-shaped Lunar New Year amulet gifted to me by my 妈妈 (mother) in Manhattan's Chinatown. While its purchase was a spur of the moment decision, plucked from a cart on the sidewalk, the amulet now not only serves its intended purpose of generating good fortune, but additionally grounds me in the Chinese half of my Chinese-Lebanese American identity. Reflecting on the object's eventual purpose ultimately cultivated a curiosity regarding others' stories and relationships with sentimental objects.

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Over the past two months or so, I had the privilege of hearing intimate stories from eleven members of Oberlin's AAPI community. I feel incredibly grateful for these individuals' openness and willingness to share such personal tales. As such, I would like to thank Zack Lee, Leo Hidy, Anokha Venugopal, Mary Ann Montgomery, Kayla Kim, Phoebe McChesney, Noah Kawaguchi, Zoe Kuzbari, Ted Samuel, Ethan Guok, and Maya Das O'Toole. Without them, this project would not have been possible.

Inspired by these conversations surrounding material culture, cultural identity, and familial tradition, I harnessed my passion for art to create a multi-media painting depicting the various objects discussed over the course of this project. 

A corner of said painting in its very initial stages.
[Featuring Maya's lovely studio space- dashes of pink throughout!]


 

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